Color-changing LED downlights, Video projection, Cool white LED blinking lights on the water, Rope lights, Bubble plastics, White mesh fabrics, Aircraft cable wires tension system, and Galvanized steel tubes.

Dimension: 15 feet H x 15 feet W x 30 feet L, Site: East river

The half arched tunnel contructed by steel frame and layers of bubble plastic sheets and white mesh is set by water. The color changing LED fixtures are installed at the top of the tunnel and light the curvature of bubble and mesh layers. The bubble plastic layer at interior shines by the LED light directly as showing its texture with various programmed LED color. A video projector is set in the other side of water and tunnel and projects an animated moving blue bubbles to the bubble plastic layers. The white mesh layer at exterior holds the viviant LED color as well as the video projection images with the paticipants' shadows. On the water by the tunnel, 12 floating bubble cool white LEDs are floating freely in connection to the bubble tunnel.

As the participants walk through the tunnel of bubble plastics, the light of video projection casts their shadows to the layers of bubble and white mesh and superimpose the shadow with the image of projection and various wall colors of bubble and mesh layers. The installation view is set for the viewers from water taxi as well as intergration of publc park goers. From the view in water taxi, as people walk into the tunnels, they transform into multiple shadows and into the mixture of colors and blue bubble image projected from video projector. With floating brinking water lights, 'Bubble Walk,' bring public a hypnotic underwater experience.

Special thanks to: Dan Shepard, Eric Baldosser

>> Detail Images coming soon

Between looking down from down and looking up from up, the floating point is explored with weightless sounds of water by the viewer who lies down on the bed in different site setting.

>> Detail Images coming soon

The viewers are invited to play shooting game. They wear safe goggles and head set playing techno music, and take shots with a air barretta m92 at the video images of women, children and porn stars in the throes of sex projected on the paper bull-eye target.

The video of interview from people who have used shooting gallery is presented with the holed paper bull-eye from 'Shoot Me I'. A sign of 'Be a Human Target' and Black target t-shirts are hung and the t-shirts are on sale for persuading the viewer to participate as a performer everyday life.

The viewers are invited to play shooting game. They take shots with a air barretta m92 at the video images of women, children and porn stars in the throes of sex projected on the paper bull-eye target. The viewers wear safe goggles and head set playing the dialogue of people on video such as children's play, porn stars' moaning, woman's compliant about life.

After finishing shooting game, the viewers are interviewed with questions; 'what did you shoot?, how did you feel?, and any suggestion or comments?'. This interview footage is presented in 'Shoot Me II: After You Shoot?'

Walking down a dark corridor, the viewer hears several disembodied voices reading a poem about obsessive love. The viewer sits on a wrought-iron chair shaped like a leaf and looks through a clear plastic curtain, behind which falls a sheet of water, to a translucent projection screen. While feeling the cold dampness from the rain on the plastic, the viewer watches an image of the back of someone's head, which the viewer eventually discovers is his/her own head.

The screen is a mirror - not from everyday life - but a mirror never seen before, a mirror of the unconscious. The closed-circuit camera, positioned behind the wrought-iron chair, shows not only the back of the head but also the plastic sheet, the dripping water and the projection screen; thus, the viewer sees a blurred, infinite image of his/her back. Watching the infinite mirror of the unconscious, an experience made doubly surreal by the artificial rain, s/he falls into Narcissus's pond.

Sitting on a sofa positioned in front of a window hung with curtains and looking inside, the viewer discovers a video image of a private bedroom and so enacts the role of a Peeping room. Water dripping down the window makes it appear as if it is raining inside the bedroom. As if watching television in his/her living room, the viewer continues to watch as speakers amplify a man's and a woman's voice counting down.

>> Detail Images

Viewers explore a dark, cylindrical room hung with floor-to-ceiling curtains. The smell of bleach emanates from a water-filled pool on the floor. From the 30-feet-high ceiling, a video projector throws onto the white plastic bottom of the pool images of a red liquid, dripping; meanwhile, the surface water of the pool ripples with real drips of water. Viewers have the illusion of a red liquid dripping into the pool.

Positioned in front of a dividing wall hung with white draperies, a video monitor shows an image of a red liquid, dripping. an open door in the all, its frame festooned with lace, leads the viewer to Closet Land. Inside, sitting on a stool under a blue light bulb suspended from the center of the room, the viewer is surrounded by wallpaper made to look like architectural blueprints. In one corner, a succession of slides - an empty hanger, a bra, a slip, a sleeping gown - is projected onto a clear plastic curtain behind which falls a sheet of water, behind which is white fabric. The steady stream of images, however is constantly disrupted; In the opposite corner, the projector, housed in a 12 - feet - tall cage covered in blue satin, is covered and uncovered by a slowly turning contraption resembling a spiked captain's wheel. in another corner, an image of lingerie is projected onto a black lace curtain hanging from the ceiling. In the opposite corner, the viewer discovers an empty closet, a single cloth hanger and a naked bulb. A black liquid slides down the inside wall of the closet.